Mindless consumer that I am, I buy most of my clothes in one or two shopping frenzies each year at the outlet stores in Manchester, VT near my parent's house.
This summer, while in the midst of my lust to be liked by virtue of buying the right clothes, I was in the J Crew store and heard two great tunes playing in the store. I used my handy-dandy Midomi iPhone app to figure out what they were and later bought the songs. In my mind they're linked by J Crew, but they happen to be similar musically as well, so that's why I'm giving you a twofer here.
Michael Franti and Spearhead have a new album out called All Rebel Rockers, and this one is heavier on the reggae than their previous albums by far. The J Crew track on the album is Say Hey (I Love You) featuring Cherine Anderson. Anderson's island accent serves as a call-and-response partner to Franti's growling, earnest rap-singing. They trade turns at the mic over a reggaefied version of the Not Fade Away beat. As with the best Spearhead songs, the chorus is a catchy sing-a-long that sticks with you.
The second track is Think (About It) by The Lions, another reggae soul outfit, who hail from LA. Once again, the song features a female vocalist. In this case she's a neo-soul singer named Noelle Scaggs whose voice is a dead ringer for Beyoncé's. I kept wondering why Beyoncé would be singing on this small band's album with no credit. Finally I did some actual research and figured out that Mrs. Jay-Z was not slumming. I was pretty clueless about the origins of the song as well until a friend heard it and started singing along even though she'd never heard of it. You'd think when Scaggs sings, "It takes two to make a thing go right," something would have clicked in my head. As it turns out, it's a cover of a James Brown produced song performed by Lyn Collins in 1972. The original is one of the most sampled songs of all time, most famously in the dance-floor staple, "It Takes Two", by Rob Base and DJ E-Z Rock. The "woo! yeah! da-na-na!" is instantly recognizable.
The Lions' version is looser and jazzier, featuring the horns more prominently, and adds some reggae flavor while Scaggs belts out the classic soul diva's lament about the no-goodnik men she's forced to deal with. The original is tighter than tight as you'd expect from James Brown, and Collins' vocals sound subdued and prim compared to Scaggs' full-on attack.
PS - Jungle Struttin', the title track, is also a funk flex-fest that's worth a spin.
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