Battles - Ice Cream

This is a great video from the latest Battles record, Gloss Drop. It's weird prog-rock, but it's catchy and the video works incredibly well with the music. The rest of the Battles album is interesting and decent, but not as good as this track, nor as good as their first album, Mirrors. If you really like the video, check out the director's video for the El Guincho track, Bombay (there's an uncensored version out there somewhere). Same same, but different.



I know I'm late on this, but going through some (good) life changes in the last few months has left me with a bit less time to devote to navel-gazing pursuits like this one. I also am getting addled in my advanced years. I think I may have posted this video to Facebook before, but since it's not on the blog, well... it is now.

White Denim - Fashionable Rock

 Combine amazing dueling guitar licks with psychedelia, a bassist that looks 15, and a prog-rock influenced drummer and you have White Denim. Out of Austin, TX, they've been wowing audiences locally and at South by Southwest for a few years. I like their old stuff, but with the welcome addition of a second guitarist their newest release, D, is one of the best rock albums, song for song, I've heard in some time.

Also, they put on a great live show. Saw them at the Rock and Roll Hotel with a bunch of hipsters who wouldn't move because they were too cool, but I was rocking out because I'm way too old to care about being hip.

Honestly, I can't even pick my favorites b/c they're all filled with great hooks. Though there's some nice variety over the course of the album, their sound is pretty consistent, so if you don't like one song, you probably won't like the rest. I'd recommend listening to the whole album a few times through. It will invade your headspace.

You can see how good they are live in this video for, It's Him. The guitar lick around 1:15 in reminds me of St. Stephen by the Grateful Dead in such a good way.

Enjoy.

Parlor Mob - Can't Keep No Good Band Down

Parlor Mob rocks like it never went out of style. This is 70s arena rock filtered through the grunge of the early 90s. Their songs feature dueling acoustic guitars, scratchy blues-influenced hooks, and power vocals. Clearly there's a Led Zeppelin thing going on, but they also remind me of Blind Melon (remember the bee girl from the No Rain video?) and they have a little bit of a Queens of the Stone Age sound as well. These three tracks will definitely have you singing along in your highest registers.

Can't Keep No Good Boy Down - YouTube won't let me embed the video, but here's the link.

Everything You're Breathing For


When I Was An Orphan - Live from the Stone Pony in Asbury Park, NJ

Pinback - Sweet Rock

Pinback isn't new, but you may not have heard about them, so I'm posting to illuminate you. Pinback makes a melodic brand of rock. It's a distinctive sound that soothes and provokes at the same time. The band they most evoke for me is Lou Barlow (of Sebadoh)'s group, The Folk Implosion (and the New Folk Implosion). If you like these tunes, also check out Pinback singer/guitarist Rob Crow's solo stuff, in particular Living Well.

Wolfmother - Rock Like It's the 80s

In the heyday of the 80s, bands wore tight leather pants, had bushy manes of manly hair, band names that sounded vaguely tough, ridiculous album covers, and the music was HEAVY METAL. Welcome, Wolfmother, to the 80s. Wolfmother just plain rocks. They play muscular metal that doesn't wander off into speed, stoner, satanic, prog, thrash, punk, or any other adjective you can put in front of metal. It's just plain heavy metal. And it rocks.

Wolfmother hit it slightly large on their eponymous first album with the descriptively titled single, Woman. The cover is a dark painting of a pale half-naked woman with wings and a tail standing on the shore of a raging ocean. Wolfmother are not subtle and are unapologetically simple. Other songs on Wolfmother, the album, that rock are Tales, Love Train, and Vagabond. Vagabond was used to great effect as the soundtrack to the great montage sequence in (500) Days of Summer when our romantic hero returns from a broken heart by rededicating his life to the manly pursuit of architecture.

Wolfmother - Wolfmother

On Wolfmother's latest release, Cosmic Egg, they continue to perfect their heavy rocking, high-pitched singing style. My favorite tracks are: New Moon Rising (the get tough song), White Feather (the radio sing-a-long), In The Morning (the power ballad), 10,000 Feet (the scary song), Cosmonaut (the sci-fi song), Caroline (more power balladry), and Phoenix (the rock epic).

Cosmic Egg [Deluxe] - Wolfmoth...

Mellowdrone - Angry Bear

Drone is a good name for these guys. They have a lo-fi aesthetic that is reminiscent of Morphine, Neil Young, or Lou Barlow (Folk Implosion and Sebadoh). The songs have a slow burn, but don't hesitate to meander into the realm of catchy choruses and ooh-oohs. There's even a rock-a-billy vibe going on some of the tracks.

Standout Tracks: Big Winner, Esmerelda, Wherever You May Go

Angry Bear - Mellowdrone

From the Vault: Morphine - Cure for Pain

From time to time, I'll take a break from highlighting new music to unearth a hidden gem many people may not be familiar with. In particular, I'll try to find albums or artists that stand up to the test of time.

Morphine was a Boston-based minimalist Jazz/Blues/Rock outfit. They featured just drums, bass and sax. Their sound is unique and unlike any other band that I've heard before or since. The music on Cure for Pain, their 1993 masterpiece, is deep and lush; Dana Colley's baritone sax is lower than you're used to and Mark Sandman's voice and two-string slide bass playing both thrum on subdued frequencies. Just as the Allman Brothers are known for their signature dual guitar licks, Colley and Sandman would often duck and dive around each other, roughly following the same melody. On several songs, Morphine thickened the sound with Colley playing double sax or Sandman adding an organ, piano, tritar (three-string guitar), dobro, or found sounds of various sorts.

Every single song on this album is strong. Each one has a fat groove and, like the Violent Femmes, after a few listens, you can sing along word for word. Lastly, I'm not a lyrics guy, as most people who've heard me talk about music know, but Morphine had great lyrics.

Unfortunately, the whole album isn't on Lala, and I do strongly recommend this album over their other material. So check out the tracks on iTunes or Amazon or Last or Pandora or YouTube or something, but listen to this album. You won't be sorry.

Michael McDonald vs. Grizzly Bear

Practically before Ray LaMontagne or John Mayer were born, Michael McDonald was belting out white-boy soul with the Doobie Brothers. Actually, this was probably before the guys in Grizzly Bear were born also. The guy's older than dirt. In fact, if you had told me he was under the dirt, I would have believed you.

So it came as quite a surprise when I heard this rockin', soulful track and thought to myself, "Is that Michael McDonald? I didn't even know he was still alive." When I heard it was a duet with Grizzly Bear I was not as surprised. The guy has a history of duets and covers. He also has one of those signature voices. Whether you ever liked the Doobies or his cheesy 80s stuff, the man can sing.

The song starts with a guitar chord that sounds like a warning. It's edgy. Then McDonald's silky smooth voice rolls in on rails. As the music patiently builds behind him, the track sounds almost like a Jimi Hendrix track that's been plied with sedatives. During the first chorus, Grizzly Bear members play the roll of doo-wop girls, adding another layer of crooning vocals. The dynamics on this track are amazing. After building up, there's an extended a cappella jam that builds it back up to a wild crazy crescendo as McDonald's belts out, "And what was left!!!" again and again.

Check it out.